|Lazy stitch beadwork is one of the simplest beadwork techniques. It is good for covering
large areas in a relatively short period of time. That is not to say that it is easy to do correctly or fast. It is neither.
Like all craft techniques, experience and skill determine the beauty of the finished result. While this stitch has
traditionally been called "lazy," the beadworkers who use it are definitely not! Georg Barth, author of the excellent book
Native American Beadwork, is attempting to
change the name to "lane stitch" and we wholeheartedly agree.
There are many books that
discuss the technique, but one of the clearest articles we know of is Sioux Style Lazy Stitch Beadwork by Steve
Nimerfro. Anyone who knew Steve will tell you he was a master beadworker. Steve passed on a number of years ago, but his work
remains with many friends as pleasant reminders of his remarkable skill. We are pleased to reprint his article that appeared
in Moccasin Tracks, March 1982. Please feel free to reprint the article for your personal use and for your organization. The
only restriction is that you may not reproduce them for sale (reimbursement for reproduction expenses is OK. Making a profit
|Sioux Style Lazy Stitch Beadwork
by Steve Nimerfro
Originally published in Moccasin Tracks, March 1982
|In his article on Western Sioux beadwork, Dick Conn states that by the late 1890’s and
1900’s Sioux beadwork had emerged as a definite style: "It has definite design types, colors are standardized and limited."
Sioux beadwork is usually done in lazystitch. The details for this lazy stitch beading technique are the subject of this
article, but a few preliminary comments are necessary.
Time is of prime importance in doing beadwork. Lazy stitch is not
difficult, it just takes time and patience to do it right. Take care in spacing rows, and be patient enough to take out
mistakes. But, the actual time spent beading is only half the time needed. An equal amount of time should be spent on
research. If you are really serious about producing several items for a Sioux dance costume or even one, at least read the
references cited in this article, examine photos and actual collections. As mentioned above, there is a "Sioux style" of
definite colors and geometric design elements -— get familiar with it. Examine items to determine design placement, size,
direction of lanes, etc. Learn what items were beaded in the lazy stitch style.
Another of Conn's statements is appropriate here, "Real Sioux lazy stitch can usually be recognized by the hard, tight
quality of beading. Much, but not all, Sioux lazy stitch has pronounced ridges." The adjacent photos illustrate this
description. Use the hints below to achieve this hard, tight quality with ridges. They take practice and time to perfect.
BEADS: Most Sioux work is done in 4/o Italian beads, not all the old colors are available substitutes must suffice at
times. 11/0 are used if beaded in Czech beads.(Matoska Trading Company Note: Italian 4/0 seed beads are virtually impossible to find
today and are no longer being manufactured. There are many fine old-time colors available in modern Czech beads today. Also,
there are some very good old-time colors made in France.)
Hard and tight is not achieved by
pulling thread super tight, but by thread thickness.")
1. Thread In producing an "artifake" use exactly the materials the Indian beadworkers used. In this instance, use sinew. If
available, sinew is the best. "Harness lace" is a good substitute and is available from traders. If thread is used, pick one
that does not stretch, wax it heavily with bee’s wax, but most importantly pick a heavy enough thread. It should be of
sufficient weight so that when doubled it fills the entire hole of the bead, see Fig.l. In this way the bead can not shift
from left to right on the thread. Strip sinew and harness lace to proper thickness to fill hole also. Hard and tight is not
achieved by pulling thread super tight, but by thread thickness.
(Matoska Trading Company Note: This last sentence is the most valuable bit of knowledge in
the whole article. Read it AGAIN: "
2.Hide: Hard and tight beadwork is a result of a stiff backing. The stiffer parts of an Indian-tanned buckskin hide is
ideal. Try to match this when choosing substitutes. Always bead on the side that was next to the meat. Make sure stitches
penetrate the center of the hide.
3. Arc: As shown in the photo, an item beaded in lazy stitch fashion is covered with a series of parallel lanes each of
which tends to arc a little bit. This arc or hump or ridge is achieved by sewing down 8 beads in a space meant for 7 1/2
beads. Lanes are from 6 - 12 beads in width; with 8 - 9 most common. Lane width will vary in width and number of beads with
each beadworker. An even number of beads is quite common.
|BEGINNING AND ENDING
The series of illustrations follow the basic beading
technique. Draw a base line lightly with a pencil (not pen). The knot at the end of the thread will eventually be hidden under
beadwork. Do not leave knots on the back side of the leather.
Fig. 2 shows proper way to punch leather with awl. Stitches must catch 1/2 the hide or they will pull out. If not using
Indian tanned buckskin, proper penetration cannot be achieved without an awl. Awl must be ground down to size of large needle
or use a heavy needle glued in a piece of dowel as in Fig. 3.
To start: knot thread, punch through leather, pull thread on needle through holes and string on 8 beads, Fig. 4. As 8 beads
lie next to each other on a line perpendicular to base line, punch next pair of holes ˝ bead short of
distance spanned by 8 beads, Fig. 4.
Next, pull needle and thread through; pull taught and string on 8. Beads should just barely touch first row. Spacing here
is critical, you must avoid bunching and gapping, Figs. 6—8. You will learn spacing with practice. Rip out your mistakes as
you go; remember, patience. When you come to the end of a thread, tie it off and sew back under the lane. No knots should show
on front or back!!
Figure 5 shows placement of second lane. Beads of first lane may touch those of second, but they dont have too. Stitches of
second lane should be right next to those of first but not interlocking. In design area rows should line up but need
not in background area.
- Conn, Dick, ‘Western Sioux Beadwork,’ American Indian Hobbyist, Vol. VI No. 9 and 10.
- Lyford, Carrie a., Quill and Beadwork
of the Western Sioux, U.S. Department of the Interior, 1940
- Hail, Barbara A., Hau, Kola! , Haffenreffer Museum of Anthropology, Brown University, 1980
|Supplies Needed for Lane/Lazy Stitch Beadwork
Matoska carries all the supplies you need for this craft technique. Here are some quick
Beading Needles - Sharps
Genuine Deer Sinew
Cotton Hand-Quilting Thread
Czech Seed Beads - Regular Colors
Commercial Tan Buckskin
Braintan (Indian Tan) Buckskin
Imitation Braintan Buckskin
Quill & Beadwork of the Western Sioux
The Complete Guide to Traditional Native
The Technique of North American Indian Beadwork
|Last modified on November 10, 2001
Copyright © 1982 Moccasin Tracks Magazine & Steve Nimerfro
Copyright © 2001 Matoska Trading Company Inc